Meanwhile, questions our relationship to architecture and (personal or global) disaster. This project started out with the desire to carry on a work based on vibrations produced by sub-bass sounds. It was experimented in a previous installation called Je d’espace. Similarly to the Back-and-forth performance, the body is very much engaged in the process of shaping the
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_active air & sound performance, created at iMAL – Center for digital culture and technology (Brussels, Belgium) in March 2015_ #S01remix #ultimate crisis touch #battlefield recording #papers #chaff #drone #laser #tower An arranged collection of disaster and recourses personnals and collectives (the permanent apocalypse according to JG Ballard versus a lolcat’s armada), and some technological
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based on An Almost True Story. S01 is a Euro-American science fiction comedyby Lucille Calmel & Gaëtan Rusquet based on An Almost True Story. S01 is a response to the relay command “Crisis? What crisis?” in a fitted collection of personal and collective disasters and actions (a permanent apocalypse according to JG Ballard versus a chorus of
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Sculpture created in continuity with the performance : based on an almost true story. S02 Material : Paper, laser cut DATE 2014 – Group exhibition «Youth», Maison Particulière, Brussels(BE)
Back-and-forth is a performance based on a comical tool which is derived from its usual purpose : the balloon sculpture. Gaëtan Rusquet uses this tool as a sound and scuptural material.
De deux Choses l’une (It’s one of two Things) is a durational and sculptural performance which questions the notions of heritage, remembrance and oblivion. Originally it was made to be performed in parallel to Eglantine Chaumont’s performance Tu me tues (You’re killing me). Both performances have the same kind of ritualised use of the matter as
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