Set design & performance on "Steal you for a moment" by Meg Stuart & Francisco Camacho. See the dates on Damaged Goods.
The exhibition an·other voice is the result of a long research project that the French artist Judith Deschamps carried out with the Institut de recherche et coordination acoustique/musique (Ircam) in Paris in collaboration with the researchers Frederik Bous and Axel Roebel, singers of different ages and tessituras and the composer António Sá-Dantas. Together they sought to reinvent,
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Boundary Games by Léa Drouet is a piece for 6 performers. Like a social laboratory, the piece tests the processes of creation and dissolution of groups. Infinite (re)arrangements of bodies, sounds and scenographic elements define new social rules as so many alternatives to the sole principles of inclusion and exclusion. The scenography proposed in an
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Following his research on the poetry of the beat generation and the work of Allen Ginsberg, Brussels artist Mathias Varenne created Hurler sous la lune. He is fascinated by the importance of orality and narrative, allowing us to share a multiplicity of stories and stories. Influenced by science fiction practices, Varenne offers with this project
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Mingling images, texts and dance, Bryan Campbell’s pieces draw from visual culture to examine the bodily and cognitive mechanisms which they signal towards. Here, inspired as much by the American square dance as more contemporary social dances, he confronts the geometric rigour of the quadrille with the expressiveness of a free dance, or the abstraction
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For Celestial Sorrow, Meg Stuart collaborates for the first time with Indonesian visual artist Jompet Kuswidananto. Departing from possession and implanted fictional traumas, they create a vibrant world of light and movement, inhabited by three performers and two musicians. Together the group embarks on an exploratory journey, moving through imaginary and invisible spaces, and the voices
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“Lucille Calmel is known for her double plays, her double commas and her back and forth between the Internet and performance. With auborddugouffre, based on the book Close to the knives by Wojnarowicz, Lucille Calmel returns to the printed text. Return to directing too (with Matthias Beyler watching attentively) after an American journey in the
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